Overall Merit: This book was filled with standard fairytale elements and the female protagonist was strong yet flawed at the same time--Marillier has a talent for these sorts of leads. The fairytale elements drew a good amount from mythology, but it seemed a bit muddled at times as if she couldn't decide which pantheon she wanted to draw from. The fairy world she crafted was vague, but I guess that was the point. For the most part, it was an enjoyable read even though it used the typical fairytale story structure, quests and true love included, as a crutch. There was a definite "Twelve Dancing Princesses"feel to the novel, but to name that the central thematic fairytale would be a fallacy due to the overwhelming amount of fairytales present. The main thing that bothered me about the story was that it seemed to convenient for the father to be sick and unable to communicate with his daughters, thus leaving an opening for Cezar to come in and take control. Score-8
Characters: I understand that Jena was the main character, but it would have been nice to flesh out Tatiana and the other sisters a bit more. Tatiana was a moonstruck teenager and didn't progress past that--she didn't need to overcome anything to end up with Sorrow, all the work was done on his end. Jena's flaws were what made her strong, but when the big reveal about her love interest comes to pass, her response was confusing and out of character. Cezar would have been a better antagonist if his motives were more believable. I didn't buy that he was holding on to a grudge from so many years ago and that he still hadn't gained closure from a trauma that occurred so many years in the past. It's fine to have a vendetta or something like that, but the intensity of this one and the reasoning behind it did not Score- 6
Blush Factor: Gogu and Jena were a cute couple, even with the whole enchanted frog thing going on. However, the Tatiana and Sorrow romantic arc seemed a bit forced. I wasn't getting any chemistry from that couple. I know that Marillier was trying to complicate the romantic arc for Jena and Gogu and make it more hard-won, but there were better ways to go about it. Both Gogu and Jena behaved in ways that were very uncharacteristic. There wasn't any major chemistry in the couplings, unlike in some of Marillier's other novels where the reader is rooting for the lovers the entire time. Not to say that the romantic aspect was bad or unsatisfying, there were just some aspects that were disappointing or unrealistic. Score- 7
Plot: There seemed to be a ton of different plot elements going on at the same time and while they all seemed to stick to the same story, I thought that having so many conflicts going on at the same time was incredibly distracting. The companion book, Cybele's Secret, had the same problem. Mariller had characters running around on quests right and left and trying to dodge Cezar at the same time. It was just way too much going on. None of the elements were inherently bad, but when put together in a slapdash manner it was confusing and disorienting. Score- 6
Structure: This was largely Jena's story and while it's fine to leave the supporting characters to be not as fleshed out, I felt there was an imbalance to the amount of backstory each one got. For example, we get a lot of information on Cezar, Gogu, and Tatiana (to a certain extent), but the other sisters are somewhat ignored as well as many of the other characters who seem thrown in there, but don't serve much of a purpose. As I mentioned earlier, my main issues with the story were the unrealistic aspects. I know that women were supposed to be married young during the approximate time-period of this story, but fifteen seemed a bit too young to me. Jena also didn't really act like a fifteen year old--she seemed to be more around seventeen. Score- 6
