Wildwood Dancing (Wildwood #1)- Juliet Marillier

In the woods of Transylvania live five sisters and their father. The second oldest, Jena spends her time exploring the forests and enjoying her freedom accompanied by her unusual pet frog. Inside the castle where the girls live is a portal to the magical Other Kingdom. Every full moon, the girls pass through the portal and dance through the night with the inhabitants of this world. Their visits are filled with joy up to the point that the eldest daughter, Tatiana, falls in love with one of the more dangerous inhabitants of the Other Kingdom. However, there is little at stake until when their father falls ill and their cousin Cezar comes in and takes control of the household while their father travels south to recover. Cezar tries to prevent the girls from returning to the Other Kingdom to partake in their monthly revelries. Jena will be tested to see if she can save her sister from the clutches of her dangerous paramour and if she can stave off Cezar until her father recovers and returns home.

Overall Merit: This book was filled with standard fairytale elements and the female protagonist was strong yet flawed at the same time--Marillier has a talent for these sorts of leads. The fairytale elements drew a good amount from mythology, but it seemed a bit muddled at times as if she couldn't decide which pantheon she wanted to draw from. The fairy world she crafted was vague, but I guess that was the point. For the most part, it was an enjoyable read even though it used the typical fairytale story structure, quests and true love included, as a crutch. There was a definite "Twelve Dancing Princesses"feel to the novel, but to name that the central thematic fairytale would be a fallacy due to the overwhelming amount of fairytales present. The main thing that bothered me about the story was that it seemed to convenient for the father to be sick and unable to communicate with his daughters, thus leaving an opening for Cezar to come in and take control.  Score-8

Characters: I understand that Jena was the main character, but it would have been nice to flesh out Tatiana and the other sisters a bit more. Tatiana was a moonstruck teenager and didn't progress past that--she didn't need to overcome anything to end up with Sorrow, all the work was done on his end. Jena's flaws were what made her strong, but when the big reveal about her love interest comes to pass, her response was confusing and out of character. Cezar would have been a better antagonist if his motives were more believable. I didn't buy that he was holding on to a grudge from so many years ago and that he still hadn't gained closure from a trauma that occurred so many years in the past. It's fine to have a vendetta or something like that, but the intensity of this one and the reasoning behind it did not   Score- 6

Blush Factor: Gogu and Jena were a cute couple, even with the whole enchanted frog thing going on. However, the Tatiana and Sorrow romantic arc seemed a bit forced. I wasn't getting any chemistry from that couple. I know that Marillier was trying to complicate the romantic arc for Jena and Gogu and make it more hard-won, but there were better ways to go about it. Both Gogu and Jena behaved in ways that were very uncharacteristic. There wasn't any major chemistry in the couplings, unlike in some of Marillier's other novels where the reader is rooting for the lovers the entire time. Not to say that the romantic aspect was bad or unsatisfying, there were just some aspects that were disappointing or unrealistic. Score- 7

Plot: There seemed to be a ton of different plot elements going on at the same time and while they all seemed to stick to the same story, I thought that having so many conflicts going on at the same time was incredibly distracting. The companion book, Cybele's Secret, had the same problem. Mariller had characters running around on quests right and left and trying to dodge Cezar at the same time. It was just way too much going on. None of the elements were inherently bad, but when put together in a slapdash manner it was confusing and disorienting. Score- 6


Structure: This was largely Jena's story and while it's fine to leave the supporting characters to be not as fleshed out, I felt there was an imbalance to the amount of backstory each one got. For example, we get a lot of information on Cezar, Gogu, and Tatiana (to a certain extent), but the other sisters are somewhat ignored as well as many of the other characters who seem thrown in there, but don't serve much of a purpose. As I mentioned earlier, my main issues with the story were the unrealistic aspects. I know that women were supposed to be married young during the approximate time-period of this story, but fifteen seemed a bit too young to me. Jena also didn't really act like a fifteen year old--she seemed to be more around seventeen. Score- 6

Vervain Says: If you liked Marillier's other books then you may as well go ahead and read this one too.

Masques- Patricia Briggs

Aralorn is a noblewoman turned spy/assassin. She realized early on that she was not cut out for court life and left home to pursue a more fitting occupation. One day, she rescues a dying wolf who turns out to be a powerful mage in disguise. He becomes her companion and after four years eventually learns to trust her. Aralorn has been given a new assignment: spy on the ae'Magi, the powerful and charismatic leader of the mages. With shapeshifting magic of her own, she accomplishes this task, but also learns how cruel the man is behind his charming facade. Few dare speak ill of the ae'Magi as mages are to be respected and feared, but Aralorn sees the evil in him and makes it her mission to see him destroyed. Only with Wolf's help and a great deal of magic will this be a successful endeavor.

A quick note: This book is pretty obscure as in, there weren't that many copies printed. Should you want to read it, I think you'll be hard pressed to find a copy.

Overall Merit: This is very different from Briggs later work (see the Alpha and Omega series). It is unpolished and at times hard to follow. I like her character work so kudos for that. Because this was her first novel and written at the age of 20 nonetheless, I have to cut her some slack. I liked the concept and the relationship between Aralorn and Wolf, but she spent a lot of time describing unimportant things instead of focusing on the plot. There were a lot of extraneous characters and events and I think if the story had been taking in a different, more succinct direction it would have been stronger. Score- 7

Characters: This was the one aspect that Briggs did the best with. I liked Aralorn and Wolf. Wolf's personality and backstory was the stronger of the two, but Aralorn didn't annoy me in the way that so many fantasy heroines manage to do. She was legitimately independent and although her personality didn't smack me in the face with strength, she was solid and more importantly, not irritating. I mean there was no uber strength here, but the characters were enough to make me want to continue on and read the sequel even though I didn't absolutely adore this book or anything. Score- 8

Blush Factor: You can often tell a lot about an author (age, religion, political views) based on how they handle the romance in a novel. That may not sound very plausible, but if you look hard enough, patterns emerge. Look for things like, the presence and usage of homosexuality, waiting until marriage, etc. This romance speaks of an author who is young and worried about being too explicit or too offensive and errs on the side of caution. It was sweet and I'm glad that she exercised restraint instead of throwing Wolf and Aralorn into a head-over-heels smoldering romance. However, there were times where the romance might have been too subtle and easily missed by a careless reader. Score- 6.5

Structure: This bothered me a bit because Briggs switched in and out of perspectives using page breaks, a technique that annoys me at the best of times. It's really more personal preference than anything, but it makes it less confusing for me if the author breaks perspectives up by chapters, rather than having a very long chapter with multiple perspectives. Chapter changes allow the reader to fully depart from one perspective and transition into another whereas page breaks can leave the reader stranded, straddling two perspectives and wondering why the story suddenly changed. Also, her transitions were a bit muddled and often I couldn't follow where the story was going or why she had chosen that specific place to break off. Score- 5

Plot: Yes, this was cliched, but when I started the book I didn't expect anything more. If you can accept the cliches and read without being too critical then the book isn't that bad. If you're a stickler for banalities then you'd best steer clear. I mean there have been several iterations of "kill the evil mage". This story didn't bring anything super new to the table. I gave this book the score I did because it didn't irritate me. I wasn't a phenomenal story and there wasn't anything new here. Score- 6

Vervain says: "Aralorn uses 'green magic', which she inherited from her mother. This means she has the ability to shape shift, but not as effectively as if she were full-blooded instead of half human."

Katie's Hellion (Rhyn Trilogy #1)- Lizzy Ford

Katie is having a terrible day. First she gets pulled over for driving two miles over the speed limit, and then she gets in trouble for not taking care of a son that she knows she doesn't have. According to everyone around her, she has amnesia due to a rape, but Katie knows that this can't possibly be the case. Her suspicions are confirmed when it turns out her "son", Toby is actually an eons old angel and a mysterious man named Gabriel shows up at her house claiming to be something called a 'Death Dealer'. Apparently, Katie's blood is special and it has something in it that makes her immune to immortals and therefore an immortal's mate. However, she isn't just an immortal's mate, she's an ancient's mate (which is like a step above an immortal's mate). By all rights, she should go to the eldest Ancient, but instead she is claimed by the outcast half-breed, Rhyn who rescues her from the depths of Hell.

Overall Merit: The problem with this book was that there were way too many things going on at the same time. Since the books were short, I read the whole trilogy, but the problem was consistent throughout. There were a million things going on and it was difficult to keep a firm grasp on the storyline. The characters were strong, which is always a plus, but I felt like the story was going in like twenty different directions at the same time and I found myself confused by what was going on and where the plot was going. I think that the other book by Ford that I scored (Damian's Oracle) was a much stronger book. Score- 6

Check out the trailer:

Characters: Rhyn is interesting. He is definitely a typical bad boy stereotype, but centuries in Hell have made him bitter and at times cruel. He was my favorite character if only because Katie wasn't nearly as solid. Her character tended to waver at times and I didn't get a good sense of who she really was. I do rather detest the annoying sister. I feel like this is an oft used character who is remarkably irritating. True, she can act as a foil for the heroine, but more often than not, she overstays her welcome and starts to get in the way of an enjoyable reading experience. There is a good reason everyone hates their siblings at one point or another. I already hate my siblings, I don't need to hate someone else's too. Score- 6

Blush Factor: To be honest, there wasn't a ton of romance in this book, that didn't come until the later books in the trilogy. I mean you know who's going to end up together from the start and I was a bit disappointed that Rhyn and Katie never really resolved their feelings for each other until later on. Even the end result of their romance was disappointing (by the third book). Not my favorite part, I liked the romance much better in Damian's Oracle. It wasn't horrible, it was kind of just nonexistent. Score- 6

Structure: Nothing new here in terms of writing style. I think Ford's problem is that she tried to cram a ton of information into a small amount of pages without giving the reader a chance to let it all sink in. She could have made the book a lot longer and structured it better so that all the plot lines had a chance to naturally converge. Instead, the writing seemed hurried as if she wanted to get a crazy amount of story down without developing the world or the conflict well enough. Score- 5

Plot: As I've said several times--way too much going on at once. I was incredibly confused. Ford needed to pick one or two subplots max instead of having twenty going on all at once. Also, I kept reading and reading waiting for Katie and Rhyn to get together, but she dragged it out horribly so that by the time I got to the end of the book I basically didn't even care anymore. This book had potential, but I wasn't seeing the necessary execution. Damian's Oracle takes place under a similar premise, in a similar world so go for that instead of this one. Score- 6

Vervain says: "There are seven Ancients, but most of them are dead."

Dragon Bound (Elder Races #1)- Thea Harrison

When Pia, a half wyr (shapeshifter) half human is blackmailed into stealing something from Dragos Cuelebre, she thinks that changing her name and appearance will be enough to hide herself from his wrath. Of course, hiding from an extremely powerful and wealthy dragon shapeshifter does tend to be a bit of a challenge--especially if he's after your head. Under any other circumstances, Pia would likely be dead, but it turns out that Dragos is intrigued and amused by the fact that she was able to get past the powerful warding spells on his hoard. So instead, Dragos claims her for his own and intends to explore the curious desire she sparks in him as well as her secret abilities.

Overall Merit: This was a class A romantic fantasy as in it followed the cookie cutter format that brings lonely, single girls temporary happiness everywhere. Well, at least the ones who aren't jaded like me. Pretty much: boy meets girl, boy feels very protective of girl, girl pretends she doesn't like being protected even though she secretly does, boy and girl have sex after like twenty pages, girl ends up getting pregnant with magical and illicit baby, girls tries to hide this from boy, boy finds out and becomes even more protective, girl admits she loves boy with all her heart, boy and girl live happily ever after for the rest of eternity. The end. Wow, because who doesn't want a super-rich boyfriend who puts his private bodyguards up to babysitting you? I mean sure all the girls in these books protest, but they love the attention, we all know they do. If this is your thing, and I'm sure it is for many people then go for it. I'm going to give this book two scores: one based on my fed up and jaded brain, and the other based on the average 20-some-odd-year-old lonely and sexually frustrated romantic (LSFR).
Me-6 LSFR-11

Characters: Pia was plucky, I liked that, but it seemed like all her spark was doused as soon as Dragos took his shirt off. Come on, be realistic, when was the last time you felt lightheaded and lost all coherent thought because a hot guy took his shirt off. Yes, I know I hate everything, but still. While Pia had potential, Dragos was such a stereotypic alpha-male that it made me kind of nauseous. (For a much better alpha-male dominated romantic fantasy check out the Tairen Soul series, that one had a phenomenal plot.) He basically got angry if anyone touched Pia except him and went all dragon on their ass. Also, he was supposed to be an ancient "Elder wyr", but I wasn't getting that impression from him, he acted young and hotheaded so I didn't buy his supposed age. Score- 7

Blush Factor: Oh my was there sex here. Keep the children away. You know when Pia describes herself as being "destroyed" that there's a hardcore male dominance thing going on. The problem was, there wasn't any real 'romance' here, just Dragos constantly smothering Pia, rescuing her from falling/walking into things, and then throwing her onto the bed and ravaging her every 20 or 30 pages. All romance was further destroyed when she was like, "Omg I'm preggers with a dragon baby!" Why does Pia have to get pregnant to finally admit that she loves Dragos? Pregnancy shouldn't be a contract of love, it certainly isn't in real life, but in this book it definitely felt that way. Harrison tried to make this better by having Pia seem like a 'mystery' to Dragos, but to be honest I'm pretty sure he was the only one who thought anything was even vaguely mysterious about her. Score- 6

Structure: The mythology behind books like these is essential to having a smooth story, but somehow it is always forgotten. It seemed like Harrison was inventing the rules of the world as she went along, rather than having a firm idea when she started writing. I didn't quite understand the structure of her "Other World", which seemed like it would be important and also, the wyr, half-wyr structure confused me. Other worlds are difficult to pull off, for sure, and the main issue is they tend to be too ephemeral and difficult for the reader to envision. The scenes that took place there were difficult for me to follow because it was tough for me to orient myself within the new world. Score-5

Plot: Books like this often spend too much time focusing on the romance (sex) as opposed to the plot line. There was a story going on, but it brought me to a lot of dead ends. For example, there was something brought up about Pia having a relation to the Elves, but after the initial mention, Harrison never mentioned it again, which would be fine, but I know this book doesn't have a technical sequel (it has companion books). I can also understand that Pia might not want to know about her past, but there definitely should have been more curiosity there if not from her, then at least from Dragos. I felt like Harrison didn't know exactly where her story was going because it sort of faded in and out of focus and the conclusion seemed too simple and didn't really work that well. I wasn't pleased. Score- 5

In summation: if you're looking for a good romantic alpha male smut book then go for it. Otherwise, you'd best seek your fantasy fix elsewhere.


Vervain says: "In this book, names have power, but when it comes time for Pia to reveal her true name, we never actually find out what it is! That seems like a cop out to me."