The Marvelous Land of Oz (Oz #2)- L. Frank Baum

Hello non-existent readers! I am back from an extremely long hiatus--my sincerest apologies. It is only now that I have finished writing my infernal papers at University that I have the chance to read books again and share my oh so humble opinions. Shut up Vervain. Yea well right back at you. Sorry about that, she's a bit tetchy today. Nevertheless, I hope you are all having a lovely time with the return of the sun. I, for one, am displeased, but the weather does not seem to hold my opinion in very high regard. Anyway, I'll retreat to my library now and leave you with the following review:

My dear readers, if you have any knowledge about the Oz books that follow The Wonderful Wizard of Oz then you have my temporary respect and perhaps I shall let you live another day. L. Frank Baum--a horrible mortal I'm sure--actually wrote fourteen Oz books all of which I read in my childhood. Since it is summer and the pesky Seelies grow ever bolder, I picked it up again so that I could stay cloistered in my library. True, it is a children's book, but a classic nonetheless and I advise any fantasy readers to look to it for nostalgic value.

The story starts with a boy named Tip who is the ward of a wicked witch named Mombi. He hates his 'foster mother' (for lack of a better term) and decides to play a trick on her. Tip creates a man with a pumpkin for a head and sets him up to frighten Mombi. Mombi, of course isn't frightened and instead uses some of her 'life powder' to bring the man to life. The man is christened Jack Pumpkinhead. Later that night, Tip steals Mombi's life powder and brings a sawhorse to life so he can escape with Jack Pumpkinhead. As all good stories in Oz begin, they decide to run away to the Emerald City. They arrive in the City and all is well until a group of greedy and selfish girls armed with knitting needles invade the city and take over. Their leader, General Jinjur, declares herself queen and kicks out the Scarecrow (anyone who read the first book instead of just watching the movie will know that the Scarecrow was named king of the Emerald City after the Wizard left). The companions must travel through the land of Oz and seek help from the Tin Woodsman and eventually Glinda the Good to put the rightful ruler on the throne of the Emerald City.

Overall Merit:  The word I would use to describe this book, and all the books in the series is: charming. They are adorable and whimsical and although they are written for children (most likely Seelie children unfortunately) I still enjoyed every minute of it. Of course, there isn't a whole lot of action and the enjoyment relies heavily on suspension of disbelief, but it is still a wonderful read (no pun intended, this comment is aimed at someone who knows exactly who he is). I would highly encourage you to read the original Oz book if you haven't already. Score-7 (for sheer nostalgia/charm factor)

Characters: Oh this book. My non-existent feminist readers are going to hate this part of the review. However, I'll preface this by saying that fans of the movie might be disappointed to discover that Dorothy is not a character in this book, but never fear, she shows up later in the series. The main group of characters are just the right combination of quirky and lovable. Now for my feminist readers you will hate the depiction of General Jinjur and her army of foolish, vain girls. For my non feminist readers, you will hate them because they are annoying and stupid (let's keep in mind that this was written in 1904). Mombi was a standard one dimensional villain, in fact all the characters were one dimensional. But my dear readers, it's Oz be a little forgiving. I'm biased of course--these books were a major contributing factor to my childhood. However, when my father discovered that I was indulging in Seelie literature, I was beaten thoroughly. Score- 5 (I'm trying to be realistic)

Blush Factor: N/A

Plot: The plot was predictable, you knew what was going to happen from the very beginning although there was a surprising twist at the end. I won't spoil it for you since it does end up being a large factor in the subsequent books. However, if you are looking for something convoluted and intense you are reading the wrong thing. The plot may be sugarcoated, but it still makes you happy to read it just because it is so lighthearted, which makes it difficult to find fault in it. Score-5

Structure: This was lovely, there is no other way I can describe a return trip to Oz. While the characters weren't complex or conflicted, they were still very creative--I want to spend time with a Highly Magnified Woggle-Bug who spends his time making bad puns and acting better than everyone else. It is a goofy and silly book, but that is what makes it so enchanting. The world that Baum creates is both ridiculous and brilliant at the same time and that is a major factor in what makes the book so thoroughly enthralling. Score- 7

On a side note, I will be writing a guest post for Irritating Paramour's blog, which you can check out here: http://eyeforaneyepiece.wordpress.com. Be warned, his posts are dry as burnt toast, but I plan on adding a bit of butter to them, possibly jam too if he lets me. Until next time, which I promise will be soon!

Vervain Says: It had better be soon, Adriana, or I'll set fire to your skirts.

The Ruins of Ambrai (Exiles #1)- Melanie Rawn

How to begin with a summary of this book...

A millennium ago, Mageborns fled to a planet called Lenfell to escape persecution, but Lenfell was soon devastated by the Magewars. Magical factions battled against each other and unleashed horrific creatures called Wraithenbeasts. Centuries after the war, the world is recovering--the Mageborns are allowed to practice magic, but with severe constrictions and the tension between the classes has culminated in agonizing tension. The novel follows the story of three sisters, separated from each other as children, yet all powerful in their own right. They will fight against each other for power, all the while ignorant of the familial connection. In this female dominated society the men act as pawns to the strong-willed and petulant females, but the three sisters rise above the rest to assert positions of the highest authority.

Something like that. It was 900 pages and I only got through 3/4ths of it before giving up--cut me some slack.

Overall Merit: I am loathe to give up on a book, even when it's exorbitantly long like this one is, but in this case I couldn't bring myself to finish. I felt like I was reading a history textbook for the majority of the story and to be honest I didn't connect with any of the characters. The only reason I picked up this book was because it was highly recommended from several sources and I did like some of Rawn's other work, but this one was a disaster. I guess in theory it could have been a good story, but then again I have no idea, I didn't finish it. I mean this is especially saying something since my irritating paramour somehow roped me into reading the entire Fifty Shades trilogy (I'm debating whether I should post about those books or not even though they're not entirely relevant). Anyway, point being: I really did not like this book. It did have some merits, but I would not advise reading it. Score: 3

Characters: I hated all the characters. This was my biggest gripe with the book. Maybe it's because I am so not a feminist by any definition of the word (here comes the hate) anyway, but the women were obnoxious. The men weren't much better. I did not connect with a single character and even though the book kept switching perspective between primarily the three sisters Cailin, Sarra, and Glenin none of the perspectives were better than the others. Usually I can find at least one character to link with--I am currently reading Game of Thrones and I don't like all the characters, but at least some of them are palatable. Score- 2 (because there were actually characters)

Blush Factor: Sure there was awkward sex in this book in which it was considered kinky if the guy was on top. Best line ever: "'Damn Garon!' she raged weakly. 'Damn him to Geridon's Hell!' In that legendary location, men who were promiscuous, sexually importunate, or a bed sheet burden to the women who married them were condemned to the exquisite torment of a constant, total, eternally unrelieved erection." Essentially I've decided that Rawn is a man-hater, which I guess is cool, but come on she didn't cut them any slack. There was nothing romantic about anything in this book. Score- 0 I can't give a score to something that didn't exist. 

Plot: Convoluted and insane. I was being dragged from one place to another without a chance to catch my breath. This book was way too long and should have been divided into at least two novels--maybe it would have been less of a hassle to read that way. Anyway there were a million things going on at the same time and I had an extremely difficult time keeping all the plot threads straight in my head, which is why I gave up because it got to the point where I didn't even understand what was going on anymore. Score- 3

Structure: I don't have a problem with female dominated societies, in fact my favorite guilty pleasure books happen to be just that (check out the Black Jewels Trilogy if you have the time), but this was excessive. There was no love, no romance the men were literally treated either like chattel or they were ridiculed if they had any sort of status. I mean I understand this is sometimes common treatment for women in books, but it just felt so alien doing it to men and it didn't really add anything to the plot. I felt like Rawn had too many components in the book and if she had stuck to fewer oddities the story would have been more coherent and cohesive. Score- 3

Vervain Says: "I couldn't tell if this was Science-Fiction or Fantasy, I feel like that's a problem in and of itself. It's ok when there's genre crossover, but this one just confused me."

Sabriel (Abhorsen #1)- Garth Nix

Ha! I have not forsaken this blog as of yet. I will not fail you, imaginary readers!


Sabriel is the story of a young woman who was sent to boarding school in Ancelstierre by her father who decided that would be a more suitable environment for a young lady. While she does learn magic at school and her father teaches her to channel her necromantic powers, nothing can prepare her for her journey into the Old Kingdom. During her final semester at school, her father, the Abhorsen goes missing and Sabriel must enter the Old Kingdom to find him before the Dead overrun what is left of the kingdom. Her companions include, Mogget--a free magic entity in the form of a cat--and Touchstone, a charter mage imprisoned for centuries by magic. The three of them travel through the Old Kingdom in a desperate search for her father's body in hopes that he has not crossed too far into the world of Death to be retrieved. 

Overall Merit: This book was awesome. When it was first recommended to me, I was a bit reticent because I figured it would be the story of a young girl on a dangerous mission. Nope, Sabriel is all of eighteen years old and wickedly talented. One thing I really enjoyed about the book was the unique magic system. Sabriel uses a collection of bells to control and dispel the Dead. Very different from the traditional wand-waving, spell-casting cliches of fantasy literature. I mean of course you can see the romance coming from a mile away, but maybe that's because I've read way too many books with the same formula. The characters were great and I loved the story. Definitely a to-read book. Score- 10 

Characters: Good job Nix. I enjoyed Sabriel's character and therefore was willing to follow her story wherever it led. Mogget was nothing short of hilarious, at least in his cat form. Touchstone was interesting, he was a little too angsty in the beginning, but I suppose that was to be expected. I didn't feel like his character arc was all that it could have been, but overall not bad. Score- 8 

Blush Factor: This was cute, but might have been the only major issue I had with the book. I mean this might be because I'm a secret romantic (don't tell anyone), but there wasn't enough lead up for me. The characters kind of plodded along and then it was wham-bam I love yous at the end. I did like the coupling though so I'm not going to judge it too harshly, but I stick by my conviction that it needed more of a substantial lead up. Score- 8

Plot: I mean true it was a bit of a cliche--the slighted prince who rises from the ashes to rescue his ailing kingdom, the plucky heroine with her magical sidekick who may be his only hope--nothing too original. I did like the bit about the walking dead (they weren't exactly zombies, but close enough) it was an interesting element to draw into a fantasy novel seeing as they're usually reserved for post-apocalyptic stories. Score- 9 

Structure: Straightforward, not a whole lot to report. I would have liked a bit more clarification on the differences between the Old Kingdom and Ancelstierre and how the division between the two worlds had come to pass. It wasn't crucial to the story and maybe it is clarified in one of the later books in the series, but it would have been a bit easier to understand the mechanics of the story with some more background regarding the world itself. Score- 8

Vervain Says: "Adriana and I definitely have plans to read the next book in the trilogy." 

Pawn of Prophecy (The Belgariad #1)- David Eddings

Greetings, Imaginary Readers. Sorry for taking so long to post something new. I've been incredibly busy in University and working on some of my own writing projects. Forgive my laxness in adhering to my own schedule.

Snails and Puppydog Tails,

Adriana Ivy

Garion is a normal farm boy--or so he thinks. He spends his days getting into trouble with his friends and giving his Aunt Pol a headache. All is fine until one day a storyteller named Wolf appears and tells Garion and his aunt that they should leave the farm immediately. Garion learns the secrets of his long hidden past and is thrown into an adventure that he could never have imagined or desired. I mean I think that's what happened. I don't really remember.


Overall Merit: This book was dull. It was recommended to me by an acquaintance and I figured ok fine. I even looked it up on Goodreads to verify that it was indeed a good book. Everything checked out so I ordered it online. For a book with such promise it failed miserably. All I got was a lot of monarchial nonsense mixed with characters who failed to propel the story along at a proper rate. Yes, I know this is the first book in a series, but it didn't interest me nearly enough to make me continue reading. Score- 5

Characters: Eh. I didn't care about any of the characters. They were dull and I could not relate. Garion was far too much of a cardboard cutout of the ideal boyhood protagonist. Also, why the hell was I not given more backstory? I mean obviously you know from the prologue who the characters really are, but then they disappoint. Come on, I mean we're talking powerful sorcerers here and what I'm given is weak. There are maybe two displays of magic in the whole book and they were disappointing. None of them stuck out to me at all. It's amazing I even remember their names. Also, where is my antagonist? Sure the forces of evil are mentioned a few times, but you never see them in action. Score- 5

Blush Factor: N/A

Plot: What plot? The characters spend a whole lot of time running from place to place and there is talk of dangers and the prologue hints at said dangers, but I never see them. Not once do I fear for the characters and not once do they seem to be in peril? What kind of good writer does that? How can I link with the characters if I'm not given any emotions to speak of? Score- 4

Structure: The structure was straightforward. I don't have a whole lot to say on this matter. At least the narrative wasn't confusing or frustrating so kudos for that. However, Eddings failed to do anything interesting structurally so I do take some issue with that. Score- 6

Vervain says: "Don't waste your time with this book. Maybe the series gets better, but Adriana doesn't have the patience to find out."

The Shadow Reader (McKenzie Lewis #1)- Sandy Williams

McKenzie Lewis has an ability sought by both the Court Fae (variation spelling on 'fey' used in this book) and the Rebels: she can track fey based on the 'shadows' they leave behind. In the human world, McKenzie is trying to finish her English degree and get on with her life, but the fae have other plans for her. She has been working for the fae king for years and has been in love with his sword master, Kyol, for just as long. However, she is tracked down and kidnapped by the rebel fae who want to unseat the corrupt king and put one of their own on the throne. To do this, they need McKenzie's talents to find and gain control over the hidden portals in their world. McKenzie must decide who she can trust and whether or not her affections for Kyol can be replaced by the rugged rebel leader, Aren. Aren teaches her the forbidden fae language and opens her eyes to the corruption of the Court. The fighting begins to claim lives, both mortal and fae and McKenzie's decision could be the single thing that decides the outcome of the war.

Overall Merit: Let me start by saying, this is the perfect example of a misleading cover. I don't think McKenzie so much as touches a sword in the entire novel, in fact she spends most of her time getting injured and rescued by people who can actually use a weapon properly. This book did not gain points with me because to be honest, I didn't understand McKenzie's powers very well and from what I saw of them, they didn't seem very useful. The story was not that interesting or well thought out. Plus, it was totally predictable. I mean it wasn't an awful book or anything, but there wasn't even any good romance to make it better. Score- 6

Characters: I apologize in advance because this is going to turn into a rant about character names. McKenzie. What the bloody hell? If you must use a horrible spelling of the name, don't put random capitals in the  middle of it, it's distracting. What's wrong with Mckenzie, or Mackenzie? Personally, I prefer the vowel before the 'ck' it looks prettier and makes the name less irritating. McKenzie is a bad name in general, but Williams makes it worse with the pretentious spelling. I mean I've seen much worse names, but that's only because I can't pronounce them. To add to that, I didn't really like McKenzie very much, she didn't have much of a personality. Sure, she kept trying to escape from the Rebels and blah, blah, blah, but she didn't do all that much. She was a space filler, not a character. The two love interests weren't interesting either, Aren was ok, but Kyol was meh. I mean all the characters were just kind of flat. Score- 5

Blush Factor: I don't like love triangles at the best of times, however this one didn't bother me so much. Then again, that might have to do with the fact that the characters were all way too boring for me to care what happened to/with them. Aren was a bad boy, but not really and then Kyol was supposed to be a stoic, deadly swordsman, but again not really. McKenzie eventually chooses Aren, sorry to spoil it, but it was pretty predictable. Score- 6

Structure: This was actually a first person novel, which was somewhat surprising since that doesn't show up often in this genre. Nonetheless, the narrator (McKenzie) was not interesting enough to make me enjoy her perspective. It followed linear story structure and well there were virtually no plot twists. Then there was some weird stuff going on with humans who hunted faeries and I got confused. The weird relationship with technology didn't fly that well for me either. I wasn't convinced that the fae were actually fae, there wasn't anything very faerie-like about them at all. Williams did not ground her mythos well enough for the world. Also, what the hell are the weird electrical impulses that seem to run through fae skin? I was confused and not very pleased with the structure of this world. Score- 4

Plot: In one word: predictable. There wasn't much of a plot and the plot that was there wasn't interesting. I was pretty bored throughout the novel--thank Rhiannon it was short. Seriously though, nothing new happened here. McKenzie was kidnapped a bunch of times, there was a pathetic attempt at a battle at the end. Some sort of convoluted plot was concocted. Even the romantic tension fell flat. This book sort of had potential, but it definitely wasn't worth the money I spent buying it. Score- 4

Vervain says: "Human technology weakens fae magic."

Furies of Calderon (Codex Alera #1)- Jim Butcher

In the realm of Alera when people come of age they are bonded with a fury (an elemental spirit). However, fifteen year old Tavi never bonded with a fury and therefore is a bit of an outcast and an unlikely hero. When an agent of the First Lord named Alera runs into him in the middle of the storm, she brings with her a war in which Tavi will prove instrumental in making sure that the 'good guys' win.

Overall Merit: This story was meh. It got really good reviews on Goodreads.com, but to be honest I didn't like it that much. I didn't connect with any of the characters and while the technical writing was strong and cohesive, the story didn't really interest me that much. The plot was complex and well thought out, but for whatever reason I did not like this book. It wasn't bad, like I didn't put it aside for an extended period of time, I just didn't love the story or the characters. Score- 6

Characters: The two main characters, Amara and Tavi were fine I guess. They weren't caricatures or anything, but I couldn't relate to them at all and I didn't feel like I was given enough access to their emotions. I didn't feel their fear or anguish and there was no real tension for me. I mean I rooted for them if only because as a reader I was supposed to, not out of any sense of loyalty or attachment. Between the two, I definitely connected better with Tavi, he was a more convincing character and a bit more sympathetic, but Amara was really hard to link with on any level. For one thing, I didn't know enough about her past and what her story was, heck I couldn't even tell how old she was! She didn't have enough inner turmoil to make her interesting. In terms of antagonists, I felt like there were too many and that made it confusing, but on the other hand, none of them were very strong. Score- 6

Blush Factor: Essentially N/A. This was barely there and what was there isn't worth mentioning.

Structure: Structure was fine. Solid. I swear I did actually read this book, I just have very little to say about it. It switched between three or four perspectives, but mostly stuck to Tavi and Amara, easy to follow. The story was pretty much straightforward. There were a few too many side stories going on and I didn't exactly buy them. Also, I felt like the elemental magic has been done to death and while Butcher tried to make it a bit different, it wasn't different enough to carry the story. Score- 7

Plot: Again. Standard fantasy. There wasn't anything interesting done here. Like really there was nothing interesting done here. This was a fantasy book that didn't bend any boundaries or create anything new. Sure Butcher tried with some weird extra humanoid, but he didn't explain the Marat well enough to make it worthwhile. I really wanted this story to have some kick, to bring in something unique, but I swear he just took a list of fantasy elements, slapped them together into a book, and called it a day. Score-6

 Vervain Says: "The Marat are essentially human, I'm still trying to figure out what makes them different."

The Fairy Godmother- Mercedes Lackey

In the Five Hundred Kingdoms, everyone has a role to play, whether it be that of a normal peasant or noble, or something more important. This role is determined by a force called the Tradition. Once the Tradition decides that a person is useful or important, magic will culminate around said person and push them on a path toward their inevitable destiny. However, sometimes the logistics don't always work out correctly. Elena was supposed to be a "Cinderella" in her world. She has the evil stepmother and sisters to boot, but as luck would have it, the prince of her kingdom is eleven and not a viable candidate. So instead, she finds herself apprenticed to the fairy godmother of her kingdom and is poised to take over her position as soon as she learns how to control and use the magic that the Tradition has bestowed upon her.

Overall Merit: This was a fluffy book. It was fun to read and I did enjoy the world that Lackey created. This was my first Mercedes Lackey book so I don't know a whole lot about her writing style. To sum it up in one word: cute. The book was cutesy and headed for an inevitable happy ending, which I guess is to be expected in a world governed by fairytales. It wasn't anything so amazing, but I liked the concept of the world and it was a quick read. If you're looking for intense, well-written fantasy/characters/plot then this probably isn't your book, but I mean it was a very light read--'beachy' if you will (not that I know so much about beaches, Unseelie is sadly deficient)--so I finished it in a few hours. The main gripe I had was the romance. This romantic sequence pissed me off/confused me to the extreme. More on that in 'Blush Factor'. Score- 7

Characters: Not a whole lot of substance here. As I said, the characters weren't very well-written. I didn't get any real emotion from anyone and I didn't particularly care about Alexander or Elena. They weren't annoying characters, which always buys some points in my book, but they were flat. Elena was ho-hum not that interesting and her personality wasn't there. She never expressed any real emotion--same issue with Alexander. Sure, Lackey told me he was annoyed/wanted to throttle Elena, but she didn't show me his frustration. The other characters were basically sketches, thrown in to help the plot along, but they literally had no personality or were so stereotypical that they may as well have been stick figures. Score- 5

Blush Factor: *SPOILERS* Don't even get me started. This was one of the worst romances I have ever seen. First off, you knew that Elena and Alexander were going to get together as soon as she drags him away from his quest to 'punish' him. Then, he tries to sexually assault her, which I find is never conducive to any sort of kind feelings. After, when he becomes more civil, they start having freaky shared sex dreams and somehow along the lines end up falling in love. And finally, out of the blue he asks her if she's been having the same dreams as him and then when she says yes they go up to his rooms and have a weird variation of sex. What the Hell? Score- 3

Structure: I really did like the world, which is why I give some kudos to this book. I liked the pseudo fairytale setting and the magical rules of the world. Lackey gave good definition to her magic and the rules governing the world, which was amenable since so many writers neglect to do that. The story wove in and out of Elena's and Alexander's perspectives, which was standard, but I wished there had been more definition when the perspectives jumped. I got a line break and that was it, just a formatting issue, but still something to note. If you do decide to check out the book, do it for the world structure. Score- 8

Plot: I mean there was a plot, it wasn't a very good plot, but it was a plot all the same. I hated the ending, it was extremely rushed. It felt like Lackey was trying to avoid major conflict, realized that was impossible, and ended up putting it in at the end and sweeping it under the carpet as quickly as she could. The premise was decent, not super strong, but not awful either. Lackey could have done something much more interesting with the world. There really wasn't enough conflict. Elena mastered her magic in what felt like moments, Alexander was helped by fairies, and the final 'epic' battle was over in a few pages. No one died. Everyone lived happily ever after, even though the message that Lackey kept driving home in the book was that it didn't work like that. Score- 6

Vervain Says: "Fairy Godmothers are responsible for quest giving, testing heros, and keeping magic from running amok."

Warbreaker- Brandon Sanderson

This is the story of two princesses, Vivenna and Siri, one of whom is destined to marry the God King of Hallandren. It is also the story of a minor god who hates his job as one of the Returned, and another immortal who is trying to correct his mistakes made centuries ago. In their world, people who die under the right circumstances join the pantheon of the Returned, and live as gods for the rest of eternity. However, the gods need Breath to live, Breath, which is the source of Biochromatic power that every person possesses to a certain extent. A power that will prove to be the undoing of many and the fortune maker of few. Only through the collective efforts of Siri, Vivenna, Lightsong, Susebron the God King, and Vasher the Warbreaker will an inevitable war come to a less than devastating conclusion.

-I apologize for the vague and patchy synopsis. However, given the contents of the story I had little to work with. Here's an interview with Sanderson that might clarify things a bit.

Overall Merit: First off, the cover is gorgeous, but that's through no merit of the author. I think this book disappointed me more than it would someone else because the Mistborn Trilogy was just fantastic. For some reason, Sanderson was able to capture all of his literary prowess in those books, but fell far from the mark in this standalone novel. I do have to give credit where it's due and say that Sanderson is a genius at creating new worlds. The world in Warbreaker was intrinsically fascinating and thrilling, but the rest of the story, plot, characters, etc fell flat. Score- 7

Characters: Often times when there are a lot of perspectives going on at the same time, a reader will favor one perspective over the other perspectives. In fact, I've yet to find a multi-perspective book where this hasn't been the case for me. Then again, this is all relative because I found nearly all the characters to be annoying. Vivenna was bratty and spoiled and Sanderson kept talking about how she was 'so well controlled', but I never really saw it. Okay, I sort of did, but only through a really annoying plot device that he exploited far more than he should have. Vivenna and Siri, as royal princesses of Idris have the ability to change their hair color based on mood. Sanderson used this as a copout because instead of giving us other indicators as to how the girls were feeling it would just be like "her hair flared red", "her hair bleached", etc. Siri was also annoying because for such a 'rebellious' girl, she really didn't do anything all that rebellious. I don't know, Vin and Elend (Mistborn) were more real for me and I actually liked them as people. Score- 5

Blush Factor: This was a presence in the book, somewhat. I mean it's weird, Mistborn was uber chaste and then Sanderson spends a good deal of time talking about just how big Mercystar and Blushweaver's (two of the Returned) breasts are. Then there's the whole weird thing going on with Susebron and Siri (horrible name choice by the way). I don't know, I mean the Siri x Susebron thing wasn't bad, it was kind of sweet actually so kudos for that, but then he tried to do something with Vivenna and Vasher. The whole book was all over the place. This wasn't a terrible aspect, but neither was it that important. Solid, I guess. Score- 7

Structure: There were too many perspectives and I didn't enjoy reading most of them, in fact I kind of skimmed all the chapters that didn't involve Siri and Susebron--the only side story I found moderately entertaining. Perhaps it had to do with the fact that I didn't really care about most of the characters, but Susebron, the God King intrigued me and I actually somewhat wanted to find out what happened with him, even though I could care less about the rest of the story. Score- 6

Plot: Ok, this was really, really contrived. There were way too many things going on and I even though the book was very long, it wasn't nearly long enough to flesh out all the details Sanderson was trying to cram into 600 pages. To be honest, all I got was there was some kind of conspiracy with the God King and a war was on the horizon. There were about 20 different rebel factions and it was nigh impossible to keep track of. Things were going on with Vivenna and some other things with Lightsong. Like I said, the only chapters I actually liked reading were the ones with Siri and Susebron. Score- 5

Vervain says: "Read the Mistborn Trilogy, but avoid this book unless you're absolutely desperate to read something else by Sanderson."

A Fistful of Sky (LaZelle #1)- Nina Kiriki Hoffman

In the LaZelle family, each of the members goes through a brutal "transition" and if they survive they awaken with powerful magic. The magic varies for everyone based somewhat on personality type and the rest on chance. However, it is also known that "late-bloomers" tend to end up with a  less desirable gift: the gift of curses. This wouldn't be an issue, but it is also true that if the magic goes unused for too long, it will inevitably consume the wielder. Gypsum LaZelle is nineteen years old and completely "magic-less" in contrast to her powerful siblings and therefore resigned to a mundane existence. Then, one day when her family is out of town she becomes gravely ill and wakes up with a new gift--one that will make her wish she had remained normal.

Overal Merit: I LOVED the concept of this book, so much so that when I found it on goodreads.com, I bought it for my e-reader so I could start immediately. I actually could not tear myself away from it and finished it in about three hours. Gypsum is a great character and her siblings are awesome. However, per usual, I had my gripes. What started out as a fantastic predicament took a turn for the weird. I have no issue with weird, in fact, I adore weird, but this was too weird. The ending also threw me and I wasn't satisfied when it came to a close. The end is bizarre, but that's ok. If you want a new take on magic, read it anyway. Score- 8.5

Characters: Gypsum was fascinating and probably the only heavy female character I've seen who wasn't languishing in self-pity about her weight. She was so real and human that for all her flaws she was still lovable. The supporting characters didn't disappoint either and I loved how it was near impossible to define the antagonist. Strong personalities all around for Gypsum's siblings and her "curse child", Altria. Some of the concepts Hoffman tackled within personalities were heavy usages of Jungian archetypes so if that doesn't sit well with you, you have been warned. Score-9

Blush Factor: This was disappointing as it promised to be present, but wasn't really there. Hoffman teased with a potential relationship, but it fizzled out into nothing of interest. This was probably the weakest point of the novel and Hoffman would have done well to exclude it completely. Score- 4

Structure: The structure was fairly linear and told from Gypsum's perspective. I followed it easily and had no complaints. Nothing innovative was done here. One major gripe I had was that Hoffman brushed on the subject of creatures from alternate worlds, but she never went into any detail, which left me somewhat confused. Also, she didn't define the limits on Gypsum's power, which also annoyed me because I wanted more definition as to what she actually could and could not do. The score would have been higher if Hoffman did a better job of covering her bases in terms of technicalities. Score- 5

Plot: I was completely enthralled by the plot until I got to the ending, which was a bit too forced and philosophical for my taste. I'll not say more than that because of spoilers. The concept was phenomenal and a refreshing addition to the world of magic-weilders. In spite of the flaws, I was able to suspend my disbelief more than usual because of the great cast of characters. Score-7

In summation: if you are looking for something with an excellent plot and great characters and are willing to turn a blind eye to some technical issues and a strange ending, then go for it.

Vervain says: "Gypsum is a crystalline stone that symbolizes stability in the midst of chaotic change as well as growth and improvement."

The Wizard's Ward- Deborah Hale

Maura's world of Umbria was ravaged by Hanish invaders and the only hope of restoring Umbrian power is to find and awaken the mythical "Waiting King". However, the only one who can do this is the "Destined Queen". Maura's guardian, the wizard Langbard informs her on her birthday that she is said "Destined Queen" and she must venture to the magical grove where her husband awaits. That afternoon, Maura finds herself in the woods gathering some magical herbs when she rescues a young outlaw named Rath from some Hanish soldiers. She brings him back with her to Langbard's cottage and the wizard decides that Rath will accompany him and Maura to Maura's Aunt who is in possession of the map that will lead them to the grove of the "Waiting King". Am I the only one who could see what was coming as soon as I read the synopsis on the back of the book?

Overall Merit: I mean, it wasn't a bad book. Then again, neither was it a good book. For all the interesting premise, the story fell rather flat. Not to mention, if I can guess the ending by reading the synopsis on the back it is not a good sign. Same goes for the characters. They weren't bad characters, but I didn't find myself caring about them all that much. By the end of the book I got pretty bored because I knew exactly what was going to happen. Not really worth your time. Score- 6

Characters: They were non-descript. I for one did not take Rath very seriously as an outlaw, he was far too civilized for that and there was not enough inner turmoil over his identity. There should have been more of a struggle between his desire to be good for Maura and his instinct to behave like a thoughtless boor. Maura was ok, she annoyed me a bit at points, but there was nothing so horrendous about her character that made me want to stop reading. I think that Hale tried to make her a plucky, strong female heroine, but the attempt fell flat. Maura was too goody-goody for that. Score- 6

Blush Factor: This aspect of the book irked me. There was all this really horrible attempt at romantic repression where it got to the point where I was just like "either be with her or don't just make up your mind!" Obviously Rath and Maura end up together (if that was a spoiler I'm really not all that sorry). However, the thing that bothered me the most was the gratuitous sex scene at the very end of the book. It really did not fit at all and it made me question the morals of the characters. I'm not a prude by any means and if sex is appropriate then go for it, but going off the basic tone and cultural structure of the book it didn't work. Score- 4

Structure: It was linear and third person from Maura's point of view. Nothing interesting was done here, but it wasn't convoluted or confusing. Score- 5

Plot: This could have been interesting, but it seems like Hale came up with an initial premise and never really did any development beyond that. The stakes weren't high enough, meaning I never felt like the characters were in imminent danger. A good story beats the character over the head with a mallet until they are ready to collapse. Neither Maura nor Rath faced any such predicament. It was far too easy for them to get to the grove and the Hanish threat that was introduced from the beginning wasn't used to its full potential by a long shot. Score- 4

In summation, I strongly advise avoiding this book unless you are given an important puzzle and the only way to solve it is hidden somewhere in the pages of this rubbish.

Vervain says: "There are two types of magic used in this world: mortcraft and vitcraft. Mortcraft calls upon dark powers whereas vitcraft is a nature based form of magic. 

Sword of Fire and Sea- Erin Hoffman

When Vidarian's great-grandfather married a fire priestess, he swore an alliance with the High Temple of Kara'zu (headquarters of the fire priestesses). This agreement is called into play, when the high priestess Endera summons Vidarian to honor his family legacy and escort a promising young priestess named Ariadel to a different temple in the south. Since Ariadel was caught by the Vkortha, a group of rogue magic users, she has been in constant danger of capture. Vidarian's job is to see her safely to the new temple where she can seek refuge from the Vkortha. At least in theory, this is what the story is supposed to be about. 


Overall Merit: I found that the story I was promised fell flat and well I'm amazed I forced myself to finish the book. It wasn't that the writing was inherently bad, it was just the storytelling ability wasn't there and neither was the character development. I don't quite know why I even bothered to finish it, maybe so that I could give an accurate review to the imaginary people who are reading this blog. Anyway, please don't read this book unless your only other option is Twilight, then by all means go ahead. Score- 4 (this is mainly because I really liked the cover...) 


Characters: Were there even characters in this story? No, not really. They were caricatures if anything. I mean I've read flat characters before, but usually there's at least one person who saves the day, even if they're in a supporting role. This book gave me nothing to work with. There was no drive to do anything, the characters simply accepted the roles they were given because either "the goddesses said so" or they had some innate intuition that it was "their destiny". If characters don't have a legitimate reason for going on a quest or fighting against a force then the readers don't care if they do it or not. In fact, I cared so little about these characters that they could have been brutally murdered and I wouldn't have done more than shrug. Also, I couldn't even figure out who the antagonist was supposed to be. The Vkortha were pathetic and played a minimal role, somehow the Imperial Army showed up in the last fifty pages, and then the high priestess suddenly became quasi evil. It didn't make sense at all. Oh, one thing I had a MAJOR issue with was the fact that the chaos goddess comes in and says "Correctamundo" and "See ya later alligator". Even in a realistic fiction book no one says that, but she's a goddess--a chaos goddess nonetheless. Score- 2 


Blush Factor- This was also miserable, but that should be self explanatory because if the characters have nothing to say for themselves, then they certainly can't have interesting relationships with each other. From essentially the first page you knew there was going to be something between Vidarian and Ariadel, which is fine. However, there was no build up. One minute they were simply companions on a journey and the next they were cuddling and kissing. There was no transition and when the romantic bit came about I actually had to go back and reread the section because I thought I had missed something. The romance is misplaced and unrealistic and if anything it detracted from the already pathetic story. Score-2 


Structure- Another thing I had an issue with. The transitions were abominable in this novel, it kept jumping over hours, and even days at a time, leaving the reader confused and disoriented. It's like, "I don't care if you put a little wave icon in between sections every time you shift; I still have no idea what's going on!" Otherwise, the story was traditionally linear and only told from one perspective. Score- 3 


Plot- The plot had potential to be good. I did like the magical hierarchy in the world and I thought that if done correctly the story would have been enjoyable. However, the entire thing was completely botched. The story was trite and it didn't flow at all. There were too many elements going on at the same time. If Hoffman had simply taken out one or two of the irrelevant plot tangents and focused on the main story thread it would have been much more successful. Score- 5 (for potential) 


In summation: Do not read this book unless you somehow find yourself in a Saw movie and you have no other option. 

Mystic and Rider- Sharon Shinn

Senneth is a powerful mystic traveling with a servant boy, Serramarra (Lady) Kirra a fellow mystic and healer, Kirra's loyal servant, and two of the King's Riders. The king has sent them on a mission to travel the country and report back to him on any dissent among the houses. As they travel, they notice a war is brewing, a war over magic. Mystics are tolerated differently throughout the land, but some houses are kinder than others. Now, the house of Gisseltess is making their view quite clear as mystics are continually turning up dead and priestesses of the Pale Mother have swollen in number. It will be up to Senneth and the others to see themselves back through a country filled with animosity and intrigue in order to return safely to the capital.

Overall Merit: The strongest points in the book were the characters. For any fans of the the Lioness Quartet by Tamora Pierce, Senneth was a very near match to Alanna. As far as plot was concerned, there wasn't enough, but the characters were superstars and that was what kept the pages turning for me. If you are ok with character driven literature then definitely read this. Score- 9

Characters: As I said earlier, this book was largely plot driven, I loved the protagonists, mainly Senneth and Kirra, and even though the plot was lacking I kept reading because I wanted to see what happened to them. The antagonists were not as strong as I would have liked. Coralinda Gisseltess wasn't nearly as evil as she could have been and I thought that was a major weak point in the novel. You will very likely fall in love with the protagonists and root for them, but I felt like sometimes they were able to get out of trouble too easily. Score- 8

Blush Factor: This was there, but at barely more than a whisper. Tayse and Senneth's romance was not all it could have been by any means, not to mention it came out of nowhere and the build up wasn't believable in my opinion. As far as the other characters are concerned, there is nothing at all, maybe a few minor flirtations here and there, but nothing worth mentioning. I thought that Shinn should have either gone full out for Tayse and Senneth or just not included it at all. Score- 6

Structure: This was linear and third person nothing new here as far as structure. It was easy to follow and the story moved along in a traditional fashion. Score-8

Plot: This was where I had my largest overall issue. There was essentially very little plot, this wouldn't have bothered me quite as much but there was potential for plot that Shinn completely ignored. The characters were never in nearly enough danger, and there was never anything at stake. I think she should have made it more difficult for the group to pass through "mystic-hating" regions and there definitely should have been some hardcore kidnapping involved. The plot was weak and underdeveloped and without the characters I probably would have stopped reading halfway through. Score-5

In spite of the flaws, the characters were pretty amazing and for that reason, if nothing else, I do suggest picking up this book if you have the time.

Foxmask- Juliet Marillier

This is a companion book to Wolfskin, however this novel can stand alone just fine. It is the story of young Creidhe, a talented weaver who follows her best friend and love interest Thorvald on a quest to find his father who was banished from the Light Isles in disgrace. Thorvald and his friend Sam set out in Sam's fishing boat and Creidhe stows away in the hold--she is convinced that Thorvald needs her even if he refuses her help. Sounds like a healthy relationship, I know. Anyway so per maritime tradition, they get caught in a storm and wind up on another island, where the people are living in terror of the Unspoken (a mysterious people, desperate to find their missing seer called the Foxmask). Thorvald and Sam are put to work to "earn" the supplies they will need to repair the ship. Creidhe, on the other hand, is taken away to stay with the other women in isolation. However, evil is brewing as "The Hunt" approaches and the men are determined to find the missing Foxmask before another sacrifice is made.

Overall Merit: I didn't love this book as I found the premise confusing. It took me a while to actually wrap my head around the whole Foxmask concept and  I found some of Creidhe's inaction to be slightly out of character. The romance was also a bit disconcerting and while I enjoy Marillier's writing as a general rule, this was not one of her stronger books. Score- 6

Characters- I don't know if the author intended for the male protagonist (Thorvald) to be so utterly irritating. I did not like him at all and I think she tried to make him somewhat sympathetic, but I could not make myself like him. Creidhe was muddled, sometimes her voice was clear and other times she sounded like a different person entirely. By the end she also started to irritate me. The main antagonist, the chief of the Long Knife People, got to be annoying as well, he was too cliched suave villain stereotype. Definitely not Marillier's best characters. Score-5

Blush Factor- This was definitely PG-13 (I'm going off the fact that they let Breaking Dawn slide through those cracks), there was a sex scene between Creidhe and an unexpected character. However, in terms of the quality of the romance, I found the sequencing frustrating. True, people are often dense in terms of feelings, but Creidhe was literally beating Thorvald over the head with a valentine. It annoyed me. There was an unexpected plot twist, which helped make up for it a little bit, but even then, this new relationship was creepy and based purely on physical attraction. Score-6

Structure- The structure was linear, switching perspectives between Thorvald and Creidhe. It was easy to follow, but as always I find myself more enamored with one perspective over the other. While I didn't love either narrators, Creidhe was definitely more interesting. The writing was succinct and crisp as expected from Marillier. Score-8

Plot- It was definitely original, there was no lack of creativity in the world or the story, but at some places it seemed very forced and there were some things that didn't quite do it for me in terms of "suspending my disbelief". One such example is the protocol followed for the Foxmask, I didn't quite buy the whole leg breaking, eye gouging bit. Either way, points for creativity. Score-8

In summation, I'd only suggest reading this book if you read Wolfskin first and feel compelled to follow the world a little bit more. Otherwise, probably not worth your time. You'd be much better off with any of Marillier's other books.

Song in the Silence (The Tale of Lanen Kaelar)- Elizabeth Kerner

Dragons have been done to death. Point blank, this story didn't bring anything new to the table, but it was a nice fluffy romantic fantasy. Lanen is a twenty-four year old horse farmer's daughter with a tendency to forget her expected femininity. This of course is not helped by her towering height, which is mentioned a few times too many in the novel. When Lanen's step-father dies, leaving her alone with the farm and the horses, she decides that it is time for her to go out into the world and fulfill her dream of meeting a real dragon. She packs up her things and heads to the nearest port city in order to secure a position on board one of the few ships to the Dragon Isle.

A quick note about scoring if it isn't clear enough in my commentary: 1-5 avoid
6-9 if you have time
10-13 definitely read
This can mainly be applied to the Overall Merit category.

Overall Merit: This was a sweet love story, albeit a slightly creepy one. As far as plot is concerned, it was relatively predictable, but still enjoyable to read. I did like the characters and found them easy to care about, even if they weren't the most complex souls out there. Overall, I'd recommend this book for any romantic (not erotic) fantasy fans out there. Score-8.5

Characters: Lanen is a feisty female heroine with a longing for adventure (then again I feel like every book with a female protagonist has one of these). I did like her and her voice was strong, you can really get a feel for the character. The only thing I didn't like about her was that she seemed incapable of getting out of trouble on her own. Sure she fought her captors and gave a few black eyes and bruises, but she never seemed to be able to get out of a situation without additional assistance. The main male protagonist, Akor, is an interesting character in theory (he is a dragon), however, his actual personality was a bit bland. As far as antagonists were concerned, Marik was kind of pathetic and at times you almost felt bad for him. The other main antagonist of the series doesn't really show up all that much in this book so I'll save him for another review. To sum it up, the characters were solid, but didn't bring anything new to the world of fantasy. Score- 8

Blush Factor: There wasn't really any smut in this book and while the romance was sweet, it did get to be a bit too gushy at times. Not to mention a good portion of the time it felt very contrived (interspecies conflict) and left me wondering just how Kerner was going to pull it off in a believable manner. Score-8

Structure: The one thing I didn't love about the structure was that it kept switching perspectives and at times it almost felt like too many characters were getting a say in the story and a good amount of the time I found myself skimming when I was on a perspective that I didn't really care about. Score- 6

Plot: I liked the plot--if I didn't I wouldn't have finished the trilogy. It was an interesting concept if not the most interesting of worlds. It was simple and not all that difficult to follow, I would have liked it better if it was a little bit less predictable. True, there was a somewhat complex subplot going on with demons and dark sorcery, but again it's been done.  Score-7

For summation, read this book if you have time and enjoy a simple, rather sappy romantic fantasy.