The Fairy Godmother- Mercedes Lackey

In the Five Hundred Kingdoms, everyone has a role to play, whether it be that of a normal peasant or noble, or something more important. This role is determined by a force called the Tradition. Once the Tradition decides that a person is useful or important, magic will culminate around said person and push them on a path toward their inevitable destiny. However, sometimes the logistics don't always work out correctly. Elena was supposed to be a "Cinderella" in her world. She has the evil stepmother and sisters to boot, but as luck would have it, the prince of her kingdom is eleven and not a viable candidate. So instead, she finds herself apprenticed to the fairy godmother of her kingdom and is poised to take over her position as soon as she learns how to control and use the magic that the Tradition has bestowed upon her.

Overall Merit: This was a fluffy book. It was fun to read and I did enjoy the world that Lackey created. This was my first Mercedes Lackey book so I don't know a whole lot about her writing style. To sum it up in one word: cute. The book was cutesy and headed for an inevitable happy ending, which I guess is to be expected in a world governed by fairytales. It wasn't anything so amazing, but I liked the concept of the world and it was a quick read. If you're looking for intense, well-written fantasy/characters/plot then this probably isn't your book, but I mean it was a very light read--'beachy' if you will (not that I know so much about beaches, Unseelie is sadly deficient)--so I finished it in a few hours. The main gripe I had was the romance. This romantic sequence pissed me off/confused me to the extreme. More on that in 'Blush Factor'. Score- 7

Characters: Not a whole lot of substance here. As I said, the characters weren't very well-written. I didn't get any real emotion from anyone and I didn't particularly care about Alexander or Elena. They weren't annoying characters, which always buys some points in my book, but they were flat. Elena was ho-hum not that interesting and her personality wasn't there. She never expressed any real emotion--same issue with Alexander. Sure, Lackey told me he was annoyed/wanted to throttle Elena, but she didn't show me his frustration. The other characters were basically sketches, thrown in to help the plot along, but they literally had no personality or were so stereotypical that they may as well have been stick figures. Score- 5

Blush Factor: *SPOILERS* Don't even get me started. This was one of the worst romances I have ever seen. First off, you knew that Elena and Alexander were going to get together as soon as she drags him away from his quest to 'punish' him. Then, he tries to sexually assault her, which I find is never conducive to any sort of kind feelings. After, when he becomes more civil, they start having freaky shared sex dreams and somehow along the lines end up falling in love. And finally, out of the blue he asks her if she's been having the same dreams as him and then when she says yes they go up to his rooms and have a weird variation of sex. What the Hell? Score- 3

Structure: I really did like the world, which is why I give some kudos to this book. I liked the pseudo fairytale setting and the magical rules of the world. Lackey gave good definition to her magic and the rules governing the world, which was amenable since so many writers neglect to do that. The story wove in and out of Elena's and Alexander's perspectives, which was standard, but I wished there had been more definition when the perspectives jumped. I got a line break and that was it, just a formatting issue, but still something to note. If you do decide to check out the book, do it for the world structure. Score- 8

Plot: I mean there was a plot, it wasn't a very good plot, but it was a plot all the same. I hated the ending, it was extremely rushed. It felt like Lackey was trying to avoid major conflict, realized that was impossible, and ended up putting it in at the end and sweeping it under the carpet as quickly as she could. The premise was decent, not super strong, but not awful either. Lackey could have done something much more interesting with the world. There really wasn't enough conflict. Elena mastered her magic in what felt like moments, Alexander was helped by fairies, and the final 'epic' battle was over in a few pages. No one died. Everyone lived happily ever after, even though the message that Lackey kept driving home in the book was that it didn't work like that. Score- 6

Vervain Says: "Fairy Godmothers are responsible for quest giving, testing heros, and keeping magic from running amok."

Dragon Bound (Elder Races #1)- Thea Harrison

When Pia, a half wyr (shapeshifter) half human is blackmailed into stealing something from Dragos Cuelebre, she thinks that changing her name and appearance will be enough to hide herself from his wrath. Of course, hiding from an extremely powerful and wealthy dragon shapeshifter does tend to be a bit of a challenge--especially if he's after your head. Under any other circumstances, Pia would likely be dead, but it turns out that Dragos is intrigued and amused by the fact that she was able to get past the powerful warding spells on his hoard. So instead, Dragos claims her for his own and intends to explore the curious desire she sparks in him as well as her secret abilities.

Overall Merit: This was a class A romantic fantasy as in it followed the cookie cutter format that brings lonely, single girls temporary happiness everywhere. Well, at least the ones who aren't jaded like me. Pretty much: boy meets girl, boy feels very protective of girl, girl pretends she doesn't like being protected even though she secretly does, boy and girl have sex after like twenty pages, girl ends up getting pregnant with magical and illicit baby, girls tries to hide this from boy, boy finds out and becomes even more protective, girl admits she loves boy with all her heart, boy and girl live happily ever after for the rest of eternity. The end. Wow, because who doesn't want a super-rich boyfriend who puts his private bodyguards up to babysitting you? I mean sure all the girls in these books protest, but they love the attention, we all know they do. If this is your thing, and I'm sure it is for many people then go for it. I'm going to give this book two scores: one based on my fed up and jaded brain, and the other based on the average 20-some-odd-year-old lonely and sexually frustrated romantic (LSFR).
Me-6 LSFR-11

Characters: Pia was plucky, I liked that, but it seemed like all her spark was doused as soon as Dragos took his shirt off. Come on, be realistic, when was the last time you felt lightheaded and lost all coherent thought because a hot guy took his shirt off. Yes, I know I hate everything, but still. While Pia had potential, Dragos was such a stereotypic alpha-male that it made me kind of nauseous. (For a much better alpha-male dominated romantic fantasy check out the Tairen Soul series, that one had a phenomenal plot.) He basically got angry if anyone touched Pia except him and went all dragon on their ass. Also, he was supposed to be an ancient "Elder wyr", but I wasn't getting that impression from him, he acted young and hotheaded so I didn't buy his supposed age. Score- 7

Blush Factor: Oh my was there sex here. Keep the children away. You know when Pia describes herself as being "destroyed" that there's a hardcore male dominance thing going on. The problem was, there wasn't any real 'romance' here, just Dragos constantly smothering Pia, rescuing her from falling/walking into things, and then throwing her onto the bed and ravaging her every 20 or 30 pages. All romance was further destroyed when she was like, "Omg I'm preggers with a dragon baby!" Why does Pia have to get pregnant to finally admit that she loves Dragos? Pregnancy shouldn't be a contract of love, it certainly isn't in real life, but in this book it definitely felt that way. Harrison tried to make this better by having Pia seem like a 'mystery' to Dragos, but to be honest I'm pretty sure he was the only one who thought anything was even vaguely mysterious about her. Score- 6

Structure: The mythology behind books like these is essential to having a smooth story, but somehow it is always forgotten. It seemed like Harrison was inventing the rules of the world as she went along, rather than having a firm idea when she started writing. I didn't quite understand the structure of her "Other World", which seemed like it would be important and also, the wyr, half-wyr structure confused me. Other worlds are difficult to pull off, for sure, and the main issue is they tend to be too ephemeral and difficult for the reader to envision. The scenes that took place there were difficult for me to follow because it was tough for me to orient myself within the new world. Score-5

Plot: Books like this often spend too much time focusing on the romance (sex) as opposed to the plot line. There was a story going on, but it brought me to a lot of dead ends. For example, there was something brought up about Pia having a relation to the Elves, but after the initial mention, Harrison never mentioned it again, which would be fine, but I know this book doesn't have a technical sequel (it has companion books). I can also understand that Pia might not want to know about her past, but there definitely should have been more curiosity there if not from her, then at least from Dragos. I felt like Harrison didn't know exactly where her story was going because it sort of faded in and out of focus and the conclusion seemed too simple and didn't really work that well. I wasn't pleased. Score- 5

In summation: if you're looking for a good romantic alpha male smut book then go for it. Otherwise, you'd best seek your fantasy fix elsewhere.


Vervain says: "In this book, names have power, but when it comes time for Pia to reveal her true name, we never actually find out what it is! That seems like a cop out to me."

Incarnate- Jodi Meadows

In a world where everyone has been reincarnated hundreds of times, Ana is a nosoul. A few years before her birth, a woman named Ciana died, Ciana was supposed to come back, but she never did. Ana was born instead. While all the others in her world remember their past lives, she has none and that makes her a threat--dangerous. Ana's cruel mother, Li casts her out of their home on Ana's 18th birthday. Ana has no choice but to go to Heart and see if she can figure out why she was born and if she will be born again or if her life will fizzle out. Li gives her a faulty compass and she loses her way to Heart. She is rescued from freezing to death in Range by a mysterious man named Sam. They venture to Heart together, a place where he will be her greatest ally and possibly her greatest love.

Overall Merit: First of all, I love the cover so kudos for that. Secondly, the premise was fascinating. Imagine remembering all of your past lives for millennia. However, some of the storytelling didn't ring true for me and I was especially disappointed by the ending. The world didn't make sense because there simply weren't any rules in place. There were dragons and sylphs running around and some god-like entity called Janus, but we never knew whether or not he was real and if he was what purpose he served. Also, in the story, the people just found Heart already built and waiting for them. What?! No, just no. At the beginning, Ana had a motive: find out why she exists, but after about a day she seemed to forget. She was way too busy drooling over Sam for 80% of the novel. This book had so much potential, but it fell flat. There were too many inconsistencies and technicalities that went unexplained. Score-6

Characters: The characters all had a fatal flaw, they were almost good but not enough, the antagonist was almost evil, but not enough, etc. They were boring. Ana was dull, she is a passive character who steps up at random moments to rescue someone, usually Sam. However, how come she can stand up to sylphs, but when she sees Sam sneaking out every night and overhears him talking behind her back, she can't confront him about it? Where is her backbone? Sam wasn't very interesting either and I didn't buy his "crippling" fear of dragons. It was a cop out. Meadows makes him seem like a brooding artist character, only to reveal that he's distant because he's afraid of dragons. Hmm...yea no. Li was the only real antagonist, and well she wasn't even that interesting. It seemed like she was being mean for the sake of being mean. She had some connection with Ciana, but it was never established properly and therefore her animosity wasn't convincing. Score-6

Blush Factor: This consumed the entire story. Literally the whole novel was about the romantic tension between Sam and Ana, which would have been fine if it were actually interesting. It actually got frustrating how slowly it moved. It's like "just kiss her already!" There was nothing unique about their romance and when I can predict exactly what's going to happen, it makes me irritated. Basically it was a standard YA romance that took up more space in the book than it should have. Score-6

Structure: Standard linear first person, but the thing about first person is that it's limiting so unless the narrator is compelling, the reader is apt to get bored. Ana was not a very interesting narrator. For all her abusive upbringing there was no inner turmoil, I could not feel her angst! YA novels are supposed to have a TON of angst! Nothing interesting happened in terms of structure. First person is pretty straight forward so nothing new here. Score-6

Plot: Before I start, I promise that this category will score extremely low. The concept was there and it was brilliant, but the execution was painfully bad. What started as a promising story turned into a long running love story with a protagonist who seemed to forget what she had been looking for in the first place. Sure she spent some time researching in the library, but  most of her time was spent mooning over Sam and learning to play the piano because apparently she had a passion for music. The ending was atrocious, talk about a deus ex machina (literally). I won't say exactly what happens, but just know that you couldn't possibly conceive this ending because no one in their right mind would come up with it and think it was a good idea. No offense to Meadows, but this was pretty sad.

Vervain Says: "Deus ex machina is a Latin phrase and it literally means 'God out of the  machine'. In other words, it is when a writer invokes a god or higher power or even just brings in a character that seems to have all the answers and can put the story to rights with little difficulty. This is a device that should be avoided at all costs." 

Song in the Silence (The Tale of Lanen Kaelar)- Elizabeth Kerner

Dragons have been done to death. Point blank, this story didn't bring anything new to the table, but it was a nice fluffy romantic fantasy. Lanen is a twenty-four year old horse farmer's daughter with a tendency to forget her expected femininity. This of course is not helped by her towering height, which is mentioned a few times too many in the novel. When Lanen's step-father dies, leaving her alone with the farm and the horses, she decides that it is time for her to go out into the world and fulfill her dream of meeting a real dragon. She packs up her things and heads to the nearest port city in order to secure a position on board one of the few ships to the Dragon Isle.

A quick note about scoring if it isn't clear enough in my commentary: 1-5 avoid
6-9 if you have time
10-13 definitely read
This can mainly be applied to the Overall Merit category.

Overall Merit: This was a sweet love story, albeit a slightly creepy one. As far as plot is concerned, it was relatively predictable, but still enjoyable to read. I did like the characters and found them easy to care about, even if they weren't the most complex souls out there. Overall, I'd recommend this book for any romantic (not erotic) fantasy fans out there. Score-8.5

Characters: Lanen is a feisty female heroine with a longing for adventure (then again I feel like every book with a female protagonist has one of these). I did like her and her voice was strong, you can really get a feel for the character. The only thing I didn't like about her was that she seemed incapable of getting out of trouble on her own. Sure she fought her captors and gave a few black eyes and bruises, but she never seemed to be able to get out of a situation without additional assistance. The main male protagonist, Akor, is an interesting character in theory (he is a dragon), however, his actual personality was a bit bland. As far as antagonists were concerned, Marik was kind of pathetic and at times you almost felt bad for him. The other main antagonist of the series doesn't really show up all that much in this book so I'll save him for another review. To sum it up, the characters were solid, but didn't bring anything new to the world of fantasy. Score- 8

Blush Factor: There wasn't really any smut in this book and while the romance was sweet, it did get to be a bit too gushy at times. Not to mention a good portion of the time it felt very contrived (interspecies conflict) and left me wondering just how Kerner was going to pull it off in a believable manner. Score-8

Structure: The one thing I didn't love about the structure was that it kept switching perspectives and at times it almost felt like too many characters were getting a say in the story and a good amount of the time I found myself skimming when I was on a perspective that I didn't really care about. Score- 6

Plot: I liked the plot--if I didn't I wouldn't have finished the trilogy. It was an interesting concept if not the most interesting of worlds. It was simple and not all that difficult to follow, I would have liked it better if it was a little bit less predictable. True, there was a somewhat complex subplot going on with demons and dark sorcery, but again it's been done.  Score-7

For summation, read this book if you have time and enjoy a simple, rather sappy romantic fantasy.